Cinzia Fantozzi

IN SWING WITH LILITH - raku ceramics by Cinzia Fantozzi

Curated by Luciano Bolzoni
IN SWING WITH LILITH - raku ceramics by Cinzia Fantozzi
The works are born from the dialogue between artistic gesture and natural forces: fire, smoke and sudden cooling. Cracks and glazes. In the artist's research, the theme of the feminine: the symbolic figure of Lilith, archetype of autonomy and transformati
Type
Solo Exhibition
Artists
Curators
Genres
Ceramics
Duration
12-20 Mar 2026
Vernissage
Thursday 12 Mar 2026 18:30-22:30
Location
ART MARGINEM
Address
Via Tobagi 13 - 20143 Milano [MI] Italia
Angolo via Olgiati - piano rialzato
Opening hours
Monday to Friday, by appointment
Contact
Author
fbiondo
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Codice CUZEMP - ID 3773 - UM 2026-03-08 12:04:58

SWINGING WITH LILITH

 

Raku ceramics exhibition by Cinzia Fantozzi

Curated by Luciano Bolzoni

 

March 12 – 20, 2026

ART MARGINEM CONCEPT ROOM

Via Tobagi 13 (corner of Via Olgiati) – Milan

 

Inauguration and catalog presentation: March 12, 2026, 6:30 PM

 

The ART MARGINEM CONCEPT ROOM Association presents SWINGING WITH LILITH, a solo exhibition of raku ceramics by Cinzia Fantozzi, curated by Luciano Bolzoni, scheduled for March 12–20, 2026, at Via Tobagi 13, Milan.

The exhibition is part of the cultural cycle I Giovedì d’Arte, an initiative promoted by Art Marginem to promote contemporary artistic research through exhibitions, meetings, and opportunities for dialogue between artists, the public, and the local community.

In Cinzia Fantozzi's works, raku ceramic becomes a place of transformation and a place to listen to the material. Fire, air, and sudden cooling affect the surface, creating cracks, glazes, and fumigations that are not simply technical effects, but traces of the very process that created the work. The artist embraces the unpredictability of the raku technique as an integral part of her work, allowing the material to actively participate in the final form.

Within this exploration, the theme of femininity, a frequent feature of her work, emerges forcefully. The figures and forms suggested by the sculptures evoke archetypal presences: everyday yet symbolic women, fragile and resilient, suspended between interiority and transformation.

The reference to Lilith, a mythical and rebellious figure of tradition, introduces a key interpretation that runs through the entire exhibition: Lilith as a symbol of autonomy, identity, and the tension between freedom and balance. The works thus seem to oscillate—as the title suggests—between stability and movement, between controlled form and natural force, between personal narrative and collective memory.

 

As Luciano Bolzoni writes in the introduction:

"Working with matter, the artist shapes the existing as if it were the very dimension of existence. But, it should be clarified immediately, he does not create superwomen or inspiring muses: his are women we can encounter every day, everywhere, at work, on the street, at home, or even on a vessel sailing an unknown sea."

 

The exhibition thus offers a journey through organic forms, feminine presences, and material tensions, in which each work preserves the memory of the fire that transformed it and invites the viewer to recognize, in the material, their own emotional geography.

 

 

Information

CINZIA FANTOZZI – SWINGING WITH LILITH

Raku Ceramics Exhibition

 

ART MARGINEM CONCEPT ROOM

Via Tobagi 13 (corner of Via Olgiati) – Milan

 

March 12 – 20, 2026

Free admission

 

Opening: March 12, 2026, 6:30 pm

Luciano Bolzoni will present the catalog and present the exhibition

 

Opening hours:

Monday – Friday: by appointment

 

Contacts

Art Marginem: +39 329 2061102 – [artmarginem@hotmail.com]

Cinzia Fantozzi: +39 333 7979190 – [cinziafantozzi61@gmail.com]

 

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Mini Biography

Cinzia Fantozzi lives and works in Italy, between Milan and Rozzano, and has been developing artistic research focused on ceramics for years. Raku, a technique that allows her to explore the relationship between creative gesture and the transformation of matter. Her work often explores themes of identity and femininity, through sculptural forms born from the dialogue between formal control and the unpredictability of fire. Her works have been featured in solo and group exhibitions dedicated to contemporary ceramics and artistic exploration of materials.

 

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