Photographic art works, generated with the aid of Artificial Intelligence, transform technology into a tool for poetic and conceptual investigation. The exhibition presents two distinct approaches, on the one hand scenarios that seem realistic but reveal a decidedly surreal dimension, on the other compositions of objects and figures transformed into dramatic icons with an almost pop aesthetic.

In both cases, the images combine the familiar with unexpected details, creating a powerful and disturbing visual effect that leads the viewer to confront the excess, accumulation, and artifice of the world depicted here. Visions that combine aesthetics and denunciation, inviting the viewer to confront the environmental problems of the present and the possible future consequences.

Uter's work is part of the field of meta-photography, a practice that transcends the recording of reality and transforms photography into reflection on one's own language. Images arise from the act of imagining and reconstructing the world, fusing reality, fiction, and technology and interrogating the very idea of visual truth.

In this context, Artificial Intelligence becomes a true digital painting, capable of shaping scenarios and symbols that no traditional camera could capture. The exhibition not only documents waste, but transforms it into a conceptual and emotional experience, confronting the viewer with their role in the cycle of consumption and waste.