Blue Gallery, a small independent gallery in Venice, presents throughout the month of February Apochrome, a solo exhibition by Patricia Mearini that addresses one of the most removed issues of our time: the nuclear threat and the fate of the world.

The project stems from a reflection on contemporary society, often distracted and reluctant to confront global risks. In this context, Apochrome positions itself as a warning signal, an invitation to stop and look.

The exhibition features seven images of atomic bombs, inspired by the bombs dropped on Hiroshima and Nagasaki, reworked by the artist as contemporary icons. Through repetition and the use of bold colors, the works transform a historical image into a present-day warning.

The reference to Pop Art, and in particular to Andy Warhol, is central: as in his work, seriality here becomes a tool for making reality more legible. The bomb is treated as a mass icon, capable of striking both the viewer’s gaze and conscience.

Color plays a key role: not decorative, but emotional. Each image acts as a visual detonator, intensifying the impact and making indifference impossible.

Apochrome uses an accessible visual language to address a complex theme, ultimately leaving the final choice to the viewer: to remain passive, or to question the future that awaits us.