The exhibition brings together a collection of interiors, landscapes, AND urban views that highlight the variety AND continuity of an ever-evolving artistic exploration. The title introduces the theme that shapes the entire project: the threshold AS a POINT of crossing AND AS a liminal space. OPEN doors, windows, passages LEADING TO Mediterranean courtyards, AND views of the Venetian lagoon OR cityscapes seen FROM above establish LINES that guide the gaze. Massagrande\\\'s paintings progress through a gradual construction of the image, defined BY layers, chromatic revisions, AND surfaces that occasionally retain traces of the execution. Interiors occupy a central role. The rooms feature worn stone floors, walls marked BY TIME, corroded fixtures, AND curtains that modulate the spaces AND regulate the visual rhythm. These are places reconstructed FROM observations accumulated over the years, reworked through a method that transforms REAL elements INTO a cohesive AND measured structure. The light, always lateral OR filtered, defines volumes, depths, AND relationships BETWEEN planes. The landscapes presented IN the exhibition develop through visions gathered over TIME, WITH a construction that prioritizes the measurement of planes AND the progression of forms. Paintings such AS Lago (2023), Cipresso (2022), Villaggio Sloveno (2025), AND Il mulino (2025) showcase a continuity of method based ON chromatic variation AND the arrangement of masses. The compositions advance through gradual transitions, WITH proportional relationships that generate a stable balance BETWEEN surfaces AND depths. The urban views IN the exhibition focus primarily ON Venice, AS evident IN the selected artworks. CASE IN Laguna (2025) AND Riva degli Schiavoni(2019) depict facades eroded BY salt, wooden bridges, AND viewpoints that frame sections of the lagoon. Alongside these images are two paintings dedicated TO city bridges, Il Ponte (2019) AND Il Ponte (2025), similar IN SPATIAL arrangement AND chromatic register. Adding TO this Venetian nucleus IS Poggiolo a Central Park (2023), the only painting SET IN NEW York, WHERE the verticality of the buildings AND the openness of the park CREATE an urban vision filtered through the same formal discipline that underpins the interiors AND landscapes. ALL the urban paintings demonstrate a keen attention TO the structure of volumes AND the rhythm of levels. The exhibition will remain OPEN UNTIL Saturday, May 9, 2026.