Leda Patasheva

Faces Everywhere

Faces Everywhere
An exhibition of about fifty A4 photographs revealing hidden faces in stains, cracks, walls and pavements. A poetic journey through chance, imagination and urban details transformed into unexpected presences.
Type
Solo Exhibition
Artists
Genres
Photography
Duration
01-07 Lug 2026
Vernissage
Wednesday 01 Lug 2026 19:00-21:30
Location
Kou Gallery
Address
Via della Barchetta, 13 - 00186 Roma [RM] Italia
Accessibility
Disability accessible location
Opening hours
Mon-Fri 10am-7pm
Further information
Contact
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Codice CFKEMH - ID 3955 - UM 2026-06-24 10:49:11

Faces Everywhere is a photographic series born from the patient and instinctive observation of the city. Leda Patasheva walks through the streets of Paris, Sofia, Rome and other places like a contemporary flâneuse, allowing surfaces to speak to her: peeling walls, worn pavements, cobblestones, stains, cracks, small ruins and anonymous traces of time.

The exhibition presents a selection of about thirty A4-format works: images that are neither constructed, staged nor manipulated. They are encounters. Sudden apparitions emerging from chance and erosion, faces glimpsed where the eye would normally pass by. A stain on the asphalt, a fragment of plaster, a wound in a wall become presences, masks, profiles, expressions. Each face has its own graphic identity, emotional tension and possible story.

Her work moves within that fragile and fascinating territory in which everyday reality opens up to imagination. The photographs record apparently insignificant details, yet it is precisely within these details that new figures, new interpretations and new narratives arise. There is no single possible reading: everyone is invited to complete the image through their own associations, memories and unease.

Faces Everywhere is a puzzle of stories generated by our ability to see beyond the surface. A subjective reality on a macro scale, in which the city becomes an involuntary archive of faces, characters and ghosts. Ruins are no longer merely signs of abandonment, but places of apparition; imperfections are not flaws, but poetic openings.

With irony and lightness, the project reminds us that imagination also inhabits the most ordinary places. As the artist’s son observed:
“Luckily, they haven’t fixed the pavements in Sofia yet, otherwise what would you have photographed?”

This remark captures the essence of the exhibition: unexpected beauty often arises from what remains unfinished, worn out or neglected. One only needs to stop, look more closely, and discover that faces truly are everywhere.

 

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