Threads of the mind, flashes and furrows of light represent a creative state in which emotions circulate, vibrate, and propagate, transferring from one heart to another, from one soul to another. Through works of matter that are sometimes dense, sometimes chromatic, sometimes monochromatic, the mind awakens from its daily torpor, producing an adrenaline-fueled state of being, like a short circuit that generates a flash. Paintings, light, and haiku coexist in a hierarchy-free balance, constructing a layered language that processes changes in direction. Women, not portrayed but present, whose hair expands into space like intangible matter that becomes light, cloud, suspension. “Mindswitch,” a perceptual shift that leads to the possibility of offering different angles within a shared space. Pop and post-pop dimensions illuminate women's ideas. Two autonomous paths coexist without overlapping, generating a sensitive and open field of resonance.

Angelica Romeo made her debut in 2009. She uses color as a tool for dialogue between the inner and outer worlds, favoring a purely material art. Her works almost always follow a trace emotional, a collective theme to be explored, an investigation into the inner aspects of life. Cuts, fractures, and breaks divide the canvases in two, as if to denounce a dual identity, rarely falling into informal abstraction. Curator Gianluca Marziani says of her: "Angelica Romeo confirms the emotional value of private research, the ethical key to painting that follows everyday events, like a sentimental tuning fork that lets itself be driven by passions, pains, energies, loves, experiences. Hers is a painting that yearns for silence around it, for the white noise of an inner journey that starts from the floating of the work, from its privileged status in the realm of white walls."

Giusy Lauriola develops her artistic path as a continuous dialogue between the external world and the inner universe; her themes of social impact, war, needs induced by time, her language has evolved towards a more intimate dimension, exploring the essence of the female world, the value of emotions and bonds between people. This journey is complemented by a deep interest in nature, considered an essential part of our existence. Curator Carlo Ercoli says of her: "Over the years, the Roman artist has shown herself to be resistant to any predefined stylistic or technical category, using the medium to communicate her inner experience; faithful to this idea, she has never bowed to superfluous or commercial dynamics. The perceived aesthetic is metabolized and reinterpreted on canvas with a profound visual meaning filtered and reshaped by the artist's intimate impression, generating creations whose ultimate purpose is to induce viewers to reflect on the need to let genuine feelings prevail over prevailing contemporary materialism.